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Filling in the Text — 8m 3. Creating a Multicolumn Table — 1. Cleaning Up Your CSS with Premailer — 4m 1. Sending Out Test Emails — 5m 2. Issues with Images — 7m 4. Finishing Up — 2m 1. Final Thoughts — 2m 1. Star- Crossed Lovers - TV Tropes. One night every year is all that they had.."From forth the fatal loins of these two foes, A pair of star cross'd lovers take their life, Whose misadventur'd piteous overthrows Doth with their death bury their parents' strife."Two lovers — often teenagers — doomed to be kept apart no matter how hard they struggle to be together. It may be Fate, or fatally- Feuding Families, or it may be something as mundane as a few hundred miles' separation, but something will always be in their way. Often, the two can only be Together in Death. William Shakespeare's Romeo and Juliet is the most famous example (and the Trope Namer), but the archetype dates at least as far back as Mesopotamian Mythology and Egyptian Mythology, making it Older Than Dirt. In modern times, the term "star- crossed" is often unknowingly misused to mean lovers who are meant to be together. It means just the opposite—the stars (i. Compare the word "disaster", which has the etymology "away; without" ("dis") + "star; planet" ("aster"). The Unrequited Love Switcheroo trope as used in popular culture. Bob has had a crush on Alice for a long time, but she either ignores him, coldly turns him …. Russia x Reader ForgivenessPain. Fear. Betrayal. You raced down the street, not wanting to believe what your eyes had seen. You had come home from school only to find. Then again, if the stars rule that much, they probably decreed the love as well as the impossibility, making the stars capricious and cruel, at the very least. It also refers to destiny and the inevitability of the two characters' paths crossing each other. It usually, but not always, refers to unlucky outcomes, since Romeo and Juliet's affair ended tragically. Further, it may also connote that the lovers entered into their union without sufficient forethought or preparation, that they did not have adequate knowledge of each other, or that they were not thinking rationally (because they were being controlled by fate). One common version of this trope, Love Above One's Station (i. While it's difficult even today to have a relationship with someone from a very different background, in the old days, it was all but impossible: if you were from the lower class and courted your "better", you'd be treated with the vilest contempt and risk arrest and/or violence (possibly even death); meanwhile, a "better" who reciprocated would be disowned and possibly shut off in a nunnery, a monastery—or even an asylum. Hence all those tragic "servant/slave/peasant loves the lord/lady/king/queen, and their Love Ruins the Realm" stories. The accepted practice for someone in love with a royal, at least in contemporary fiction, was to express that love through loyalty and duty rather than presume to have a romantic relationship with them. Compare Dating Catwoman, where the relationship is forbidden but doesn't usually end tragically. Notice the overlaps with Interspecies Romance, Inter- Class Romance, Mayfly- December Romance, and Maligned Mixed Marriage. See also Bury Your Gays. Often the case for a Vampire- Werewolf Love Triangle. May be used as a Pretext for War. Contrast Love Transcends Spacetime. The Babies Ever After trope as used in popular culture. Sometimes you have a Happily Ever After situation, but it just isn't heartwarming enough. Maybe the …. Link to 'Stories by Pattyrose' facebook page: http:// *Thanks so much for your interest, but right now I am NOT allowing. Tags. Graphic Depictions Of Violence; Major Character Death; No Archive Warnings Apply; Paul Lahote/Original Female Character(s) Kol Mikaelson/Original Female. Young Avengers: Cassie Lang (Stature) and Nate Richards (Iron Lad) seem destined to be star-crossed lovers, separated by centuries and because Nate's destined to grow. Compare Nobody Thinks It Will Work and Uptown Girl. Advertising Anime and Manga Takaki and Akari in 5 Centimeters per Second are an interesting example in that they have marginally more of a chance at a happy ending than most examples, but it doesn't stop their movie from being a huge Tear Jerker. Two of Adachi Mitsuru's manga series feature romances forbidden by feuding parents. In Rough, the parents run rival confectionery businesses. In Katsu!, the fathers are former boxing rivals. In both cases, the girl's father is more rabid than the boy's father. Hiromi Oka and Coach Jin Munakata from Aim for the Ace!, mainly due to the fact he was dying of leukemia by the time they met and fall in love. In Arashi No Yoru Ni, Mei and Gabu seem doomed to part ways because their Interspecies Romance is frowned upon by both their kin. Averted; they find one another again and stay together in the end. Basilisk, which is essentially a Japanese Tokugawa- era send up of "Romeo and Juliet", has its star crossed lovers: Gennosuke from the Kouga and Oboro from the Iga. They even make reference to the old belief that star- crossed lovers will be reborn as twin siblings. Also, the beginning of the show shows another pair of star crossed lovers: Koga Danjou and Iga Ogen, Gennosuke's grandpa and Oboro's grandma respectively. Probably, also Kagero and Gennosuke. She would've been an excellent prospect for him except for her being Blessed with Suck and him truly liking his arranged fiancee Oboro, thus she's stuck as the Unlucky Childhood Friend and that takes a HUGE toll on her emotional well- being. The Berserk universe has made it its personal mission to ensure that Guts and Casca never find happiness. That moment of love the two of them shared near the waterfall in the Golden Age arc was the closest they came to it before the Eclipse went down and everything went completely to hell. Mari and Hagino from Blue Drop are divided by the fact that one is a high school student and the other the commander of an alien battleship, whose people plan to invade earth. Arguably averted in Blue Submarine No. Hayate and Muteo part ways at the end because she has to look after a emotionally- devastated Verg and he has to help in the rebuilding effort of what remains of humanity. However, it's implied by the final episode ending credits, that they will eventually get back together again once things finally settle down. In volume one of Bizenghast, two spirits needing to be released are those of a young pair of lovers. They had wanted to marry, but the man's mother refused to let him marry a girl of slightly- lower status. So one night, during a ball, the man stabbed his lover in the back as they danced before killing himself. As Dina frees their souls, the young woman's ghost whispers to her lover "I forgive you.." In the manhwa The Bride Of The Water God, the couple Habaek and Nakbin who, according to Su Wang Mo were destined only as passing friends fell deeply in love with each other amidts the deceit and controversy which resulted to Nakbin's death just to protect Habaek. That after her death, both made drastic decisions in order to meet again. With Habaek requiring human girls as sacrifice, and Nakbin escaping the world of the dead by deceiving the god governing it. In the end, their efforts are futile as circumstances always lead to Nakbin choosing death instead of forsaking Habaek along with the fact that he is already connected by the red string to Soah. And even though Habaek admitted that he can never let go of his longing for his first bride, just like the leaves and the flowers of the Spider Lily, the two of them can only long for each other but will never be reunited. Though currently, Nakbin is reincarnated as a human without a memory as conditioned by Hoo- ye to Su Wang Mo. Chrono of Chrono Crusade has the worst luck when it comes to relationships. First, he meets Mary Magdalene, who informs him after he's known her for months that she has had prophetic dreams since she was a child that he would be the one to take her life. He does, although not in the way either one expects. He's so guilt- ridden over her death that he sleeps for 5. But Rosette Christopher comes and wakes him up from his years of slumber, and things start to be going good for him.. Joshua is kidnapped by Aion and he's forced to make a contract with her, slowly draining away at her life. In the anime they die together, Rosette as a result of the contract and Chrono from his wounds in the final battle, but in the manga they spend six years apart, and Chrono arrives back to her side just in time for her to die in his arms. It's implied that he lives on for decades afterwards. Code Geass has two couples like this: Ougi and Viletta, then Lelouch and Shirley (at least in Shirley's mind). The first ones subvert the trope and get their happy ending, even if YMMV on that.. Remy Matsuda and Merril Benten Tamagawa from Cyber City Oedo 8. Anti- Hero who must take her down. It ends with them sharing a Last Kiss before Benten puts Remy in a capsule and shoots it into outer space. Krory, an Exorcist and Eliade, an Akuma in D. Gray- Man. It was his nature to destroy Akuma and it was her nature to kill Exorcists. He ends up killing her before he joins the Black Order. Also, any person who tried to make a deal with the Earl to bring back their loved one, which would only end badly for both parties. Taken further with Kanda and Alma, who were lovers in a previous life, only to be brought back to life by the Black Order as part of the failed super Exorcist program. Then Alma was driven mad into a massive killing spree and Kanda was forced to kill him. Only for Alma to not be dead and fought Kanda to the death again when he was revived. But this time, thanks to Allen, Kanda is able to send Alma to the afterlife in more or less peace, and later come back. Kazuya and Erika in Daimos. Kazuya is the pilot of Daimos, defender of Earth from the Balm invaders. While Erika is the little sister of Richter, Prince of Balm and leader of the invasion. They get their happy ending, but not before much heartbreak. Detective Conan has several cases. Shinichi Kudo and Ran Mouri. While their feelings have been kinda wavering for quite the while, as time passes they have grown stronger - but Shinichi is trapped in the body of a little boy (the titular Conan) and cannot openly tell Ran who he is, lest she and his friends will be targeted by the same evil organization that shrunk him. In the meantime poor Ran waits for Shinichi's return.. Hideomi Nagato and Miyuki Hyuuga. First, he and his friend Mitsuaki caused the fire that killed Miyuki's parents. Second, Hideomi had a Heel Realization, then returned and saved little Miyuki but was badly burned. Third, while he helped Miyuki out as much as he could, Hideomi thouroughly hated himself due to guilt. Fourth, and the most important reason: when Miyuki fell for him despite knowing what he had done and asked him to marry her.. Hideomi crossed the Despair Event Horizon and commited suicide. It went From Bad to Worse later. Shuichi Akai and Akemi Miyano were this as well in the past. Babies Ever After - TV Tropes. Nothing like a cute child to make a Happy Ending even happier."We're supposed to forget the struggles we've just witnessed and join in the euphoria. After all, a birth represents a joyful new beginning and, conveniently, a happy ending."Sometimes you have a Happily Ever After situation, but it just isn't heartwarming enough. Maybe the marriage happened earlier in the season; perhaps the couple was already betrothed but weren't able to consummate the union. Perhaps you need some Dénouement to confirm that, yes, really, it really was happy. Maybe the Bittersweet Ending is short on "sweet". Or, maybe, you just want to make things as sweet as possible. The answer? Skip ahead a bit to show the Happily Married couple.. Awwwww! Or, if we cut to the future, show them at home with their growing children. Generally a whole brood, as a mundane equivalent to Fertile Feet, or demonstrating that Mordor has No Ontological Inertia. Grow Old with Me in an epilogue may feature grandchildren, or even great- grandchildren. See also Hope Sprouts Eternal.) If the ending is not Cleaning Up Romantic Loose Ends, unmatched friends often appear in the role of Honorary Uncle; conversely, Weddings for Everyone may result in loads of underfoot children. And expect the newborns to be named after dead friends or teammates who had made Heroic Sacrifices during the course of the story, clearing the path for the heroes' victory at the cost of their own lives. It seems that the Law of Inverse Fertility gets inverted once you get past the climax. Even if one or both were confirmed as sterile — such is The Power of Love. The likelihood of this increases exponentially every time one or both people say they don't want to have a kid, or express reluctance to. Makes many parents very happy.). The Bittersweet Ending often shows a Dead Guy Junior in this situation. Her Heart Will Go On may entail the discovery that she is pregnant after the father is dead: he's gone, but he's left her Someone to Remember Him By. If the couple had a child early in the story, perhaps resulting in a Shotgun Wedding, this may result in a younger brother or sister. Might involve a Screaming Birth, but this is, of course, optional; the baby itself is what makes this trope run, so the cuter the better. Sequels to works with these sort of endings often make the kids into major characters. The rationale for this trope is related to Babies Make Everything Better. Compare Birth/Death Juxtaposition. Not to be confused with Wave of Babies. Naturally, this is an Ending Trope, so spoilers ahoy! open/close all folders Anime & Manga In Amagami SS, the epilogue to Tsukasa's arc. Her Good End in the Visual Novel is what the epilogue was adapted from. In the ending of the manga Aragami Hime, Shirou and Kazuki have a son and a daughter. Subverted in Ayashi no Ceres, where Aya learns about being pregnant in volume 1. A side- story in another one of Yuu Watase's works showed on the last page, that Aya gave birth to a daughter. And Toya, who had stated that due to having given up the Mana that he was made of he was slowly dying and might have a year or few more left, is still alive. Retains a bittersweet note as Toya is still slowly dying. The Ending of Bannertail: The Adventure of Gray Squirrel, wherein Banner and Sue have lots of adorable squirrel babies in the final episode. In Berserk, Griffith, during his Despair Event Horizon, has a vision of he and Casca sharing a quiet life as a couple with a child that is presumably his. There are several speculations as to the nature of this scene, whether it's a hallucination depicting Griffith's possible unrequited feelings for Casca and living a simple life with her, or if it is a hallucination of the sort of life that Griffith doesn't want, since his grandeur dream of becoming king of his own empire is seemingly at its end and he never wanted to settle for a "normal" life to begin with. Also, some fans go so far as to speculate that the scene is a What Could Have Been- esque vision of Griffith's life after Guts' second impending departure from the Hawks which would heavily imply that the child that Griffith and Casca are raising is Casca's son by Guts, not Griffith's. Needless to say, this vision is not followed by anything happy, especially since it was induced after Griffith witnessed Guts and Casca expressing their feelings for one another. Furthermore, in the manga continuity, this trope is cruelly subverted in the case of Guts and Casca, as Casca was indeed pregnant with Guts' child at the time, but after Griffith crosses the Moral Event Horizon, absolutely nothing ends well for Casca, Guts, or their unborn child. The last three pages of Boys Empire are a cavalcade of babies, the paternity of some of which is unclear. The mothers kind of got around. Hitomi's baby is obviously Makoto's, though. Implied in the manga epilogue of Chrono Crusade. Azmaria has a grandchild shown in the Distant Finale, and considering his resemblance to Joshua and the fact that they're shown with their hands clasped with a ring on Az's finger, they likely married and had at least one child together. The Epilogue of Code Geass R2 shows Kaname Ohgi as Prime Minister of Japan, with his wife Viletta (who is visibly pregnant) watching him on TV.. Tamaki's bar. Daa! Daa! Daa! (a. k. a. UFO Baby) ends with an episode showing Miyu and Kanata, the protagonists, Happily Married and with a cute little baby of their own (only a normal human one, though). The last chapter of Digimon Adventure 0. It shows a few couples (Yamato and Sora and Ken and Miyako) that got together and ones that didn't, much to the disappointment of some fans. At the end of Dragon Ball Z there is Gohan and Videl with their daughter Pan, and Bulma and Vegeta with their second child, Bra. During the last arc, Krillin and 1. Marron, showing they got a happy ending. Initially there's not much to her, but the latest series is moving her away from this a little. And in one Non- Serial Movie, it shows that Goku and Vegita's lines are still around (and completely identical to their ancestors some seven generations later. The Electric Tale of Pikachu, a manga adaption of Ash's Kanto journey, shows James and Jessie engaged and Jessie pregnant at the end. In the manga ending of Elfen Lied, Kouta and Yuka had a daughter named Nyu. From the New World ends with Saki pregnant with Satoru's child, both now Happily Married. The end of Fruits Basket has Tohru and Kyo's granddaughter looking for them in all their senior lovey- dovey glory. The ending of Fullmetal Alchemist shows both Winry and Ed holding their children. Fushigi Yuugi. Awwwww, Boushin, Emperor Hotohori's cuuute son. Hikari Sukunami. Mom is Miaka Yuuki, Dad is Tamahome's reincarnation Taka Sukunami. Among the ending scenes in Future Diary is one with World 2 Minene living a peaceful life with World 3 Nishijima, and having two young children. Two young floating children, as they seem to have inherited some of her god- powers. In the Distant Finale of Gaiking: Legend of Daiku Maryu, Shizuka is, as always, pulling the massive lever that powers on the firing mechanism of the Daiku Maryu's head, but this time she's doing it while breastfeeding a little baby. Given that Sakon is also carrying a baby on his back, the two hooked up in the end, surprising precisely nobody. The final chapter of GE - Good Ending, true to the manga's namesake, Utsumi and Yuki had a baby boy. In the final chapter of Hana To Akuma, Vivi and Hana have a son and a daughter. In the Harukanaru Toki no Naka de - Hachiyou Shou TV series, towards the end Inori's sister Seri is all but outright stated to be pregnant with Iktidaru's child; the series' epilogue (before it goes for the Multiple Endings) shows Sefuru holding their baby. Hyper Police has an example that can only be called extravagant. In the Distant Finale set 3 years after the last manga chapter, Tomy and Po have gotten married and had nineteen kids. Tomy is a dog- boy, so they had litters. Yes, I know. Shut up.). The first season finale of I Can't Understand What My Husband is Saying ends with Kaoru getting an Unexpected Positive. The Inuyasha manga ends this way. Sango and Miroku have twin girls, and then a baby boy! In the Itazura Na Kiss anime, Naoki, Kotoko◊, Chris◊,Kinnosuke◊, Satomi, and Junko◊ all end up with children. Kamikaze Kaitou Jeanne, manga. To make it even happier ever after, the babies in question are the reincarnations of the angels Access Time and Fin Fish, reborn as Shinji and Natsuki. To avoid incest (the two were a couple), Shinji is the son of Miyako, not Marron and Chiaki. In the manga ending of Karin, Karin Maaka and Kenta Usui have a daughter named Kanon, who is actually the reincarnation of Sophia Pistis. Which makes it a tad awkward, because she ends up loving her father a little bit TOO much. And her mother too, since Kanon tries to glomp and kiss her as well. The final chapter of Kenichi: The Mightiest Disciple shows a picture of Kenichi and Miu's daughter. In Kenko Zenrakei Suieibu Umisho's manga ending, Amuro and Kaname have a son. Haruto and Yuzuki had a son named Daiki in the manga ending of Kimi no Iru Machi. The final chapter of Kore Wa Koi No Hanashi reveals the girl who woke up Shinichi in his sleep to be his daughter. Her mother is obviously Haruka. In Kurogane Communication, Haruka and Kitano return to earth with their daughter — who looks a lot like Haruka herself. In the anime Kurokami, Keita and Akane had 2 grandchildren, with Keita dieing of old age. In the manga version, it only shows Keita has a son with Akane. The last time we see Amy on- screen (not counting the movies) is in Magical Girl Lyrical Nanoha A's. Magical Girl Lyrical Nanoha Striker. S reveals that she has been married with Chrono and she gave birth to fraternal twins during the Time Skip. Both Narutaki twins in the final manga chapter of Mahou Sensei Negima! Maison Ikkoku, on the last page of the last chapter. 03 rebellion rose ft. document/XESkzPCu/Star_Trek_RPG_-_FASA_-_2011_Th. The.Last.Temptation.Of.Christ.1988.iNTERNAL.DVDRip.XviD-HLS-cd2.Derinport.in. The.Brown.Bunny.UNRATED.LiMiTED.DVDRiP.XViD-HLS +134. 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A Star For Rose 2011 Dvdrip Xvid Hls MaplewoodGreek Subtitles for greek - Ελληνικοί Υπότιτλοι. The Brown Bunny Torrent Download. Is the mid- budget action film a dying genre? Nowadays cities are leveled into pixel- happy rubble. Men no longer mere men but super fight others by the dozen. What of the smaller pleasures in life? An intimate hand- to- hand fight scene between just two; a car crash that doesn’t involve a freeway’s worth of collisions; an explosion that wasn’t created in a computer… No Escape, a retro action thriller, harkens back to these simpler times. Owen Wilson and Lake Bell star as an American couple who make the move with their two small daughters to an unnamed Southeast Asian country. Of course the day they move just so happens to coincide with an anti- Western coup in the unnamed country. It’s not long before the desperate family is outrunning an armed militia, jumping off rooftops, hiding amidst rubble and fighting off angry citizens. The action beats are simpler here – buildings fall (but not cities), cars crash (but only a handful), fists are drawn (but in close quarters)… Oh, the simple things! In speaking with genre filmmakers Drew & John Erick Dowdle (Quarantine), the duo reveal the long eight- year process to get No Escape into theaters, why it took so long and how the development process changed the film. For the full interview, read below. COLLIDER: I really liked the movie; it’s a lot of fun. I particularly like the opening sequence – the coup/assassination scene. It almost functions a bit as its own [short film]. How did that opening sequence come about? JOHN ERICK DOWDLE: We wanted to start with a sense of dramatic irony where you know that the Dwyers (Owen Wilson & Lake Bell) are headed into something crazy. We really wanted to show the origin of the coup. We originally had written [the sequence] to take place on a boat, like a presidential yacht. It turns out in Thailand that they don’t have any boats; so we ended up scouting and we found this amazing building that looked so much like a palace. I spent the weekend there with my wife just walking around looking for the best path to go through… We felt like it was a nice, strong, interesting way to start the movie and to tell you this isn’t your typical American movie, this is going to be something different. DREW DOWDLE: And the idea of setting the stage to it, with not only a Prime Minister assassination, but also what was he doing at that moment. He was having a meeting with this Western businessman and there was a deal that basically got him killed. Then to see the Dwyer family enter the city, and to see big billboards of this Prime Minister that we’ve already seen be assassinated, it gives this impending feeling of doom. Well – the movie had me at that opening sequence. What type of films did you look to when you writing this as a precedent? JOHN ERICK DOWDLE: The touchstone we kept going back to was the Costa- Gavras’s movie Missing with Jack Lemmon and Sissy Spacek. It had this sense of dread and it was so scary but it was rooted in humanity. We kept saying we’re doing a family drama with action elements, not an action movie starring a family. We really wanted to make sure we were always rooted in what the players were going through every step of the way. Missing, that movie does that so beautifully. You’re with Sissy Spacek and Jack Lemmon the whole time, only what they know. You’re experiencing this world kind of from the outside as they are. Missing was really, that was the one we really loved for this as a reference. I’m interested, what was the first draft of the script versus what inevitably ended up on screen? Image via The Weinstein Company. JOHN ERICK DOWDLE: It was an eight- year process. We almost wrote in a circle. We started off with our initial impulse, we wrote it back then, and then we ended up getting a [deal] up at Lionsgate but they had certain things that they thought strongly would make [the script] better. In the process with them, we tweaked a couple of things, and then that fell apart. Over the course of time there was a point at which Drew and I…the project kept falling apart over and over, and at one point Drew was like ‘let’s go back to where we started’ and we read through a bunch of the different drafts we had done and said ‘let’s go back to the start, let’s go back there.’ Really the script we ended up shooting was very close to that starting place. We did a location scout to Cambodia to gather some details and were able to add some authenticity to the initial impulse script. DREW DOWDLE: Our first location scout, we were on a couple of location scouts on this one, but the one we went on to Chiang Mai, where we ultimately shot, informed the draft. The primary change from that early, early draft that we affected after location scouting was the trail end of the movie, the third act of the movie. We extended the longer, slower build tension scenes versus having more set pieces. Our initial draft continued with the big set piece[s]. But] we thought there might be a little fatigue… [So we thought] let’s stay in one place and build a scene, have a moment when we’re not running and really build a scene slow and steady and go more in that direction. That was really a major change from our initial draft and all of the development we did in between kind of just fell off. What is the process of writing between you two? How do you split up writers’ duties, or do you work together on the script? JOHN ERICK DOWDLE: I’m typically more hands- on- the- keyboard, but Drew, I think, is more focused. I just sort of write all over the place and Drew really helps shape it more intelligently than I would on my own. We talk about everything. We work together on the writing; we work together on the directing, in post- production… We’re joined at the hip the whole time. Every frame of editorial, we’re right there. I’d say there’s literally not a detail or line of dialogue that we haven’t at least discussed together. Image via The Weinstein Company. DREW DOWDLE: It changes a little bit on every project, but our backgrounds are very different. John has a trained writing background and went to film school, and I went to business school and worked on the producing side. As we go, we tend to write more and more together; but I trust John more as a writer than I trust myself. John’s very prolific and can really turn out a lot in a very short amount of time. John says that he kind of writes all over the place. It’s more focused than he lets on. Once there’s a draft in play though, then we do a lot of back and forth after that. JOHN ERICK DOWDLE: Collectively neither of us cares whose idea makes it. We just both want the best thing possible. When Drew’s like we should go back to scratch and rewrite this whole thing, that’s sometimes hard but it always comes from the right motivation. We push each other pretty hard but it’s always in the best interest of the movie and I think that means a lot. Given that you know that you’re directing and producing the movie, how does that affect the writing process? DREW DOWDLE: We have an idea, depending on the project that we’re writing, what the parameters may be in terms of the budget or location or whatnot. We try to write realistically for what we think we can accomplish producorially or directorially. You try to write something that is ready to go into pre- production. I think we really…John as the director and me as the producer, we make a good team, we really gravitate towards grounded performances and performances that we can really believe — that really affects the type of dialogue we write and the type of motivations that the characters have and whatnot. JOHN ERICK DOWDLE: Even when we’re working on something that we didn’t write, it’s always helpful to work with writers who also direct, who have been through the editorial and post- production process. It really informs the way you write. You know over the course of time, having been through editorial over and over, that this is the scene we end up cutting because it doesn’t connect to the main plot exactly. This is un- shootable. You’ll never be able to shoot this scene the way it’s written. You’re able to write to what you believe will work on film. At the same time, we try very hard not to limit ourselves too much, not to say ‘I have no idea how to shoot this, let’s not write it.’ The roof throw, where they throw the kids off the roof, we had no idea how we’re ever going to pull that off. We’ll have to figure it out, and that’s kind of fun too, to write yourself into trouble a little bit. DREW DOWDLE: We’ve gotten a little bit better over time on which scenes we probably will end up cutting in editorial, that might be just a little bit of a B- story that doesn’t further the movie. It’s never a perfect vibe, but we’ve gotten better over time at that. Image via The Weinstein Company. You mentioned that financing this movie was difficult. Why do you think that was? Is it more difficult to get mid- budget action movies made nowadays? Is that a factor? JOHN ERICK DOWDLE: I think that’s true. Part of it is we didn’t want to cast it…you know usually the foreign film model is you get one of the three action stars that everyone knows will open a movie like this. We believed very strongly that we didn’t want to cast who most people would think to. We loved the idea of Owen Wilson right from the start. We really wanted him for this and thought that that would make the most interesting version for this movie. People sometimes weren’t sure about that and having a little kid, people weren’t sure about that — if we would know how to direct those kids, or you cast the wrong kids and they’re terrible, then the movie doesn’t work. DREW DOWDLE: Financiers just by nature detests risk. This movie had an unusual, atypical casting choice, it had children, it had a foreign location… There were so many elements of risk in this movie that were really execution dependent. Financiers — that’s just the way they are. Monoteater Jan Uusp. Гµld Isa 2. 01. 2. . 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